Living in the present, looking at the available evidence about the present, looking at the past, anticipating the future. All while living in dAgEnhaM and all the problems which this brings. Living in the NOW!
Monday, 31 May 2010
ACollection of juxta-positionedWords-irrahayes
"Life should NOT be a journey to the grave with the intention of arriving safely
in an attractive and well preserved body,
But rather to skid in sideways,chocolate in one hand,wine in the other,
body thoroughly used up,totally worn out and screaming"WOO-HOO what a ride!"
Life,What a Ride,
Oh yeah, life is not for 'hard-work' or 'values' nor Taxation that is so disproportionate to
the workers life-style. Life is to have as much happiness as possible, to keep healthy body if
possible, but to have fun. We live for such a short amount of time, who in their right frame
of mind wants to work long hours for dis-proportionate low, very low pay. A sum of money
that would not pay for a Bankers lunch time meal & drinks. It seems as if we are being fed
so much bull about what is good for US. Does anyone, not know what they want to do with
their lives, because if they really don't know - and the Nanny State presumes we don't - we
all should realise the big Rip-Off, The New World Order.
See Bilderberg/ Common Purpose, listen to David Gerrish ex-navy gentlemen who has
risked a lot to speak out like he has. irra
Dennis Hopper, Hollywood hero and antihero, dies - Movies - SanLuisObispo.com
Dennis Hopper, Hollywood hero and antihero, dies
tool name
closeDennis Hopper, who brought the counterculture to Hollywood with "Easy Rider" and led a career marked by successes, failures and comebacks, has died at age 74.
Hopper, who was twice nominated for Oscars and earned a star this year on the Walk of Fame, died Saturday at his home in the Venice neighborhood of Los Angeles, family friend Alex Hitz said. Hopper had been diagnosed with prostate cancer in 2009.
"We rode the highways of America and changed the way movies were made in Hollywood," Peter Fonda, his "Easy Rider" co-star, said in comments carried by several news outlets. "I was blessed by his passion and friendship."
Similar stories:
- Dennis Hopper, Hollywood hero and antihero, dies
Dennis Hopper, Hollywood hero and antihero, dies
Dennis Hopper, who brought the counterculture to Hollywood with "Easy Rider" and led a career marked by successes, failures and comebacks, has died at age 74.
Hopper, who was twice nominated for Oscars and earned a star this year on the Walk of Fame, died Saturday at his home in the Venice neighborhood of Los Angeles, family friend Alex Hitz said. Hopper had been diagnosed with prostate cancer in 2009.
"We rode the highways of America and changed the way movies were made in Hollywood," Peter Fonda, his "Easy Rider" co-star, said in comments carried by several news outlets. "I was blessed by his passion and friendship."
- Prince of Persia' provides recess for the serious Jake Gyllenhaal
Prince of Persia' provides recess for the serious Jake Gyllenhaal
Up to this point in his career, Jake Gyllenhaal can be found, most notably, in a unique and surreal cult film ("Donnie Darko"), in sharply observed American indies ("The Good Girl," "Lovely & Amazing"), tense Middle East conflict dramas ("Jarhead," "Rendition"), a David Fincher-directed serial-killer thriller ("Zodiac"), an English-language remake of a Danish dogma piece ("Brothers"), and an Oscar-winning love story between two men ("Brokeback Mountain," opposite Heath Ledger, of course).
So, what's this dedicated thespian doing in sixth-century armor, leaping walled citadels in a $150 million Walt Disney sword-and-sandals saga adapted from a video game?
"It's definitely a different type of movie than I've made before," says Gyllenhaal. "In the past, I looked at acting and making movies maybe a bit too seriously, and took myself a little bit too seriously. And I thought it was time to make a movie that was like the ones I loved when I was a kid."
- An old Western gets new life with Criterion release of Stagecoach'
An old Western gets new life with Criterion release of Stagecoach'
When John Ford made "Stagecoach" in 1939, the Hollywood director had already been making movies for two decades and had one Oscar (for 1935's "The Informer") to his credit. Yet he had so little clout in studio-dominated Hollywood that in order to get this Western made, he had to use his own funds to purchase the story on which it is based and then contract with an independent producer, Walter Wanger, to shoot the movie under the auspices of United Artists.
These details about one of the most famous movies from Hollywood's Golden Age come from a variety of sources included in the excellent new DVD of "Stagecoach" released this week by the Criterion Collection (two discs, $39.95 DVD and Blu-ray, not rated).
"Stagecoach" was an immediate hit with both the public and the critics, and quickly reached legendary status. Ford was credited with reviving the Western, which had been relegated to cheap, B-movie status in the 13 years since he directed the silent epic "The Iron Horse"; making a star out of John Wayne
- San Luis Obispo International Film Festival to honor ‘Little Miss Sunshine’ actor
San Luis Obispo International Film Festival to honor ‘Little Miss Sunshine’ actor
Acclaimed character actor Alan Arkin will be honored at this year’s San Luis Obispo International Film Festival.
Best known for his roles in such films as “Catch 22,” “Edward Scissorhands” and “Glengarry Glen Ross,” Arkin won an Academy Award for his turn as an irascible grandfather in “Little Miss Sunshine.”
“We’re really excited,” festival director Wendy Eidson said. “He’s done an amazing amount of work, (and) he’s still working constantly.”
- Capsule reviews of feature films
Capsule reviews of feature films
AJAMI 3 stars. Co-directed by an Israeli Arab and an Israeli Jew, this potent, whirling film, set in Jaffa's tense and sprawling multiethnic community, depicts a melting pot about to boil over. A 2010 foreign-language best picture Oscar nominee. 2 hrs. No MPAA rating (violence, profanity, drugs, adult themes) - Steven Rea
ALICE IN WONDERLAND 3 stars. Tim Burton's inspired new big-screen take on Lewis Carroll's fantasy stars Mia Wasikowska in the title role, with Johnny Depp as the Mad Hatter. 1 hr. 48 PG (action violence, hookah-smoking caterpillar, suitable for those eight and older) - Carrie Rickey
BABIES 3 stars. Guaranteed to elicit tsunamis of "oohs" and "awwws," this narration-less documentary focuses on four newborns from different cultures and countries - Namibia, Mongolia, the U.S. and Japan. The cute factor is through the roof in this transcontinental celebration of teeny, tottering humanity. 1 hr. 19 PG (nudity, body fluids, human/animal commingling) - Steven Rea
The success of "Easy Rider" and failure of his next film, "The Last Movie," fit the pattern for the talented but wild Hopper, who also had parts in such favorites as "Rebel Without a Cause," "Apocalypse Now," "Blue Velvet" and "Hoosiers."
Other tributes were posted on celebrities' websites and Twitter feeds.
"So long Dennis," actress Virginia Madsen, who starred in the Hopper-directed "The Hot Spot," said on her Twitter page. "U taught me so much."
After a promising start that included roles in two James Dean films, Hopper's acting career languished as he developed a reputation for tantrums and drug abuse. On the set of "True Grit," Hopper so angered John Wayne that the star reportedly chased Hopper with a loaded gun.
"Much of Hollywood," wrote critic-historian David Thomson, "found Hopper a pain in the neck."
All was forgiven when he collaborated with Fonda on a script about two pot-smoking, drug-dealing hippies on a cross-country motorcycle trip.
On the way, Hopper and Fonda befriend a drunken young lawyer (Jack Nicholson in a breakout role) but arouse the enmity of Southern rednecks and are murdered before they can return home.
"'Easy Rider' was never a motorcycle movie to me," Hopper said in 2009. "A lot of it was about politically what was going on in the country."
Fonda produced "Easy Rider" and Hopper directed it for a meager $380,000. It went on to gross $40 million worldwide, a substantial sum for its time.
It was a hit at Cannes, netted a best-screenplay Oscar nomination for Hopper, Fonda and Terry Southern.
The establishment gave official blessing in 1998 when "Easy Rider" was included in the United States National Film Registry for being "culturally, historically, or aesthetically significant."
Its success prompted studio heads to schedule a new kind of movie: low cost, with inventive photography and themes about a restive baby boom generation. With Hopper hailed as a brilliant filmmaker, Universal Pictures lavished $850,000 on his next project, "The Last Movie."
The title was prescient. Hopper took a large cast and crew to a village in Peru to film the tale of a tribe corrupted by a movie company. Trouble on the set developed almost immediately, as Peruvian authorities pestered the company and drug-induced orgies were reported.
The film took a drug-and-drink addled Hopper nearly a year to edit, and when it was released, "The Last Movie" was such a crashing failure that it made Hopper unwanted in Hollywood for a decade, and forced him to find work in Europe.
He made a remarkable comeback, starting with a memorable performance as a drugged-out journalist in Francis Ford Coppola's 1979 Vietnam War epic, "Apocalypse Now." Hopper was on drugs off camera, too, and his rambling chatter was worked into the film.
Hopper made a series of scattershot film appearances in the 1980s, but steady use of drugs and alcohol led him into rehab and at one point a hospital's psychiatric ward.
Upon his release, Hopper joined Alcoholics Anonymous, quit drugs and launched yet another comeback. It began in 1986 when he played an alcoholic ex-basketball star in "Hoosiers," and earned an Oscar nomination for best supporting actor.
His role as a wild drunk in "Blue Velvet," also in 1986, won him more acclaim, and years later the character wound up No. 36 on the AFI's list of top 50 movie villains.
He also returned to directing, with "Colors," "The Hot Spot" and "Chasers."
Dennis Lee Hopper was born in 1936, in Dodge City, Kan., and spent much of his youth on the nearby farm of his grandparents.
After moving to San Diego with his family, he played Shakespeare at the Old Globe Theater.
Scouted by the studios, Hopper was under contract to Columbia until he insulted the boss, Harry Cohn. From there he went to Warner Bros., where he made "Rebel Without a Cause" and "Giant" while in his late teens.
Later, he moved to New York to study at the Actors Studio, where Dean had learned his craft.
Hopper married five times. In January he filed to end his 14-year marriage to Victoria Hopper, who said in court filings that the actor was seeking to cut her out of her inheritance, a claim Hopper denied.
He was married to a scion of a Hollywood family Brooke Hayward for eight years and to Mamas and the Papas singer Michelle Phillips for eight days.
He married Victoria Duffy, who was 32 years his junior, in 1996.
Hopper maintained a frantic work pace in the last two decades of his life.
He made it to the top of the box office as a vengeful bus bomber in the 1994 hit "Speed," and in the 2000s, he was featured in such films as "Jesus' Son" and the television series "Crash."
"Work is fun to me," Hopper told a reporter in 1991. "All those years of being an actor and a director and not being able to get a job - two weeks is too long to not know what my next job will be."
AP National Writer Hillel Italie and Associated Press writers Frazier Moore, Bob Thomas and Andrew Dalton contributed to this report.
Read more: http://www.sanluisobispo.com/2010/05/29/1158508/dennis-hopper-creator-of-hit-easy.html#ixzz0pVYsWxpQ
Sunday, 30 May 2010
Another Drug Record for Afghanistan | Republic Broadcasting Network

In addition to being the world’s leading producer of opium, Afghanistan has now become the largest producer of hashish, according to the first ever cannabis survey released by the United Nations Office on Drugs and Crime (UNODC) earlier this month. Again, the US invasion is behind the new record.
The 2009 Afghanistan Cannabis Survey revealed that there is large-scale cannabis cultivation in half (17 out of 34) of Afghanistan’s provinces, covering a total area of 10,000 to 24,000 hectares every year (lower than opium cultivation, which covers 125,000 hectares). Afghanistan’s crop yield is so high at 145 kg of resin per hectare that it overtakes other leading producers like Morocco, where cannabis covers a larger land area but whose yield is lower, at 40 kg/ha. It is estimated that Afghanistan produces 1,500-3,500 tons of hashish annually, an industry involving 40,000 households. The total export value of Afghan hashish is still unknown, but its farm-gate value—the income paid to farmers—is estimated at about US$ 40-95 million, roughly 15% that of opium ($438 million in 2009).
Abundance of supply fuels demand, making hashish the most commonly used drug in Afghanistan, whose more than 500,000 users are mostly men. Marijuana, the other drug that can be obtained from the cannabis plant, is a minor product in Afghanistan as compared with hashish. Farmers choose to grow cannabis mainly because it sells at a higher price than licit crops and even opium, fetching over $3,000/ha compared to $2,000 for opium and $1,000 for wheat. Many farmers grow both drugs but opium is still more important, in part because cannabis has a short shelf-life and is a summer crop (when less water is available for irrigation).
The history of the two plants and the ways in which they have supported US foreign policy in Afghanistan and Pakistan is similar, although opium’s impact has been more important in scale. In the 1960s, westerners travelled to the Orient on the “Hippie Hashish Trail”, passing through Istanbul, Delhi and Kabul. They found Afghan hashish of such a high quality that they started smuggling it back to their home countries, through syndicates such as “The Brotherhood of Eternal Love”, a famous American group. This popularised hashish consumption in the West and generated an enormous demand which Afghanistan and Pakistan filled starting in the 1970s.
King Zahir Shah (1933-1973), under whose rule cannabis cultivation was allowed in Afghanistan, even encouraged farmers to use fertilizers to boost exports to the West, before outlawing cultivation in the early 1970s under pressure from Richard Nixon, who had just launched his War on Drugs. The Afghan police succeeded in eradicating a lot of the cannabis crops, but conveniently, cannabis farms controlled by Afghan government officials were spared, a bias reminiscent of today’s situation. The 1979 Soviet invasion further disrupted cannabis cultivation, which partly moved to Pakistan’s tribal areas, where transformation into hashish and export took place, just like poppy cultivation and heroin processing. The hashish trade was used by the US-supported mujahideen to finance their fight against the Russian invaders.
The Taliban regime used opium to finance itself in the 1990s, but outlawed hashish production, some say because hashish was consumed by Afghans whereas opium was for the unbelievers in the West, although the real reason had more to do with the fact that there would have been an uprising against the Taliban if farmers had not been allowed to grow poppies. The Taliban ban on hashish was extremely effective—the crop persisting only in a few places—just like their later ban on opium in 2000-2001. But the 2001 US invasion changed all that, leading to the spread of cannabis to new areas, especially from 2005 onwards, according to independent experts and UNODC.
US/NATO policy played a role in stimulating cannabis and hashish production in several ways. First, the invasion itself removed the Taliban’s ban and empowered Northern Alliance and other drug lords who received the necessary protection to continue and increase their production and trafficking of cannabis and opium, up to this day.
Secondly, cannabis cultivation has also been stimulated by poppy eradication campaigns, which led some farmers to simply switch to cannabis. The latter has been sometimes safer to grow, having been targeted even less than poppies, to which the US and NATO have not paid much attention in any case.
Thirdly, US/NATO’s militaristic policies have not helped to contain the spread of hashish production: the UNODC report notes that “villages that had not received agricultural assistance were slightly more likely to have cannabis cultivation.” The problem is that while the US spends about $1 million a year to support the deployment of one American soldier in Afghanistan, an average of just $93 in development aid has been spent per Afghan per year over the past seven years. Put differently, the US alone has spent $227 billion on military operations in Afghanistan since 2001, while all international donors together have spent less than 10% of this amount on development aid.
US/NATO allies in Afghanistan continue to benefit from the hashish industry, as confirmed to this author by a UNODC official involved in drafting the report. The document states that “there is a clear geographic association between opium and cannabis cultivation at the provincial level” as well as at the trafficking level: “a large proportion of cannabis traders also trade opium.” This means that many members of the police, local militias, and ultimately, government officials supported actively or tacitly by international troops, do benefit from hashish production.
Yet, the American government and UNODC continue to have their eyes set on the drugs-Taliban connection. For instance, UNODC chief Antonio Maria Costa declared that “All drugs in Afghanistan, whether opium or cannabis, are taxed by those who control the territory, providing an additional source of revenue for insurgents”—and what about sources of revenue for government forces?
The Taliban-cannabis association is also emphasized by repeating that over the last few years, cannabis cultivation has shifted away from the north to the south (just like poppies), where the insurgency is raging. Costa can therefore state: “A concentration of cultivation in the southern part of Afghanistan shows that the Taliban and those insurgents that control the southern parts of the country are not only funding themselves by trafficking opium but also by trafficking cannabis. It’s the same area.”
True, the Taliban tax and control part of the trade in cannabis products. But as the UNODC report shows, cannabis trading centers are spread all over Afghanistan, which means that even though crops are concentrated in the south, hashish is traded everywhere and exported following similar routes as opium and heroin, to Pakistan, Iran, and Central Asia. Therefore, although precise numbers regarding the total value of the cannabis industry in Afghanistan are not available yet, revenues are tapped by many segments of Afghan society, from farmers and police forces to warlords and insurgents.
This might give pause to the many pundits who argue that we must fight a war on drugs in order to cut the Taliban’s finances. Wouldn’t eliminating opium and cannabis crops also cut many other Afghans’ income, including government forces’, weakening them in their fight against insurgents? This question has been pondered by Dutch marijuana shop owners post 9-11, who have wondered if smoking Afghan hash amounts to supporting terrorism. One of the owners, Nol Van Schaik, gave an interesting answer: “If the Northern Alliance are the people on the ground who are going to defeat the Taliban, people who want to defeat the Taliban should buy as much of their hash as they can,” Van Schaik said: “It’s a patriotic duty to buy their hash.” Whatever one thinks of this solution, it undermines mainstream experts’ claims that ignore the fact that those they support are also involved in drugs. There are good reasons to eradicate drugs, but weakening the Taliban may not be the most logical one.
In fact, a double withdrawal could be the best solution for Afghanistan: get international troops out of the country to reduce locals’ grievances that fuel the insurgency, and treat drug addicts in the West and Afghanistan to reduce the demand for narcotics.
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